Just browsing and sharing a bunch of stuff a like ..

20th August 2014

Photo reblogged from In Quo Totum Continetur with 2,301 notes

in-quo-totum-continetur:

sakrogoat:
Ubaldo Gandolfi - Mercury About to Behead Argus

in-quo-totum-continetur:

sakrogoat:

Ubaldo Gandolfi - Mercury About to Behead Argus

Source: sakrogoat

20th August 2014

Photo reblogged from In Quo Totum Continetur with 15 notes

love02bthings:

Andrew Wyeth

love02bthings:

Andrew Wyeth

Source: love02bthings

19th August 2014

Photo reblogged from For Emma, Forever Ago with 34,218 notes

Source: thecraziethewizard

19th August 2014

Photo reblogged from vintage girl with 15 notes

somewhatvintage:

(via Pin by Buttercup Meadow on Good Morning! | Pinterest)

Infancia

somewhatvintage:

(via Pin by Buttercup Meadow on Good Morning! | Pinterest)

Infancia

19th August 2014

Photo reblogged from vintage girl with 33 notes

somewhatvintage:

(via Pin by Buttercup Meadow on Good Morning! | Pinterest)

somewhatvintage:

(via Pin by Buttercup Meadow on Good Morning! | Pinterest)

15th August 2014

Photo reblogged from Nothing really matters. with 1,895 notes

Source: snapshotsoftheordinary

15th August 2014

Photo reblogged from Nothing really matters. with 1,149 notes

Source: erinmonster

15th August 2014

Photo reblogged from vintage girl with 182 notes

Chez moi

Chez moi

15th August 2014

Photoset reblogged from michael uzowuru with 136,484 notes

Source: violentv

15th August 2014

Photo reblogged from michael uzowuru with 22,719 notes

Source: thedailygrit

14th August 2014

Photo reblogged from TheQueerFrontier with 427,857 notes

Source: howmanyletters

12th August 2014

Quote reblogged from why (all caps) with 145 notes

All changes, even the most longed for, have their melancholy; for what we leave behind us is a part of ourselves; we must die to one life before we can enter another.
— Anatole France (via whyallcaps)

12th August 2014

Photoset reblogged from Asylum Art with 3,389 notes

asylum-art:

Kevin Francis Gray Art

Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.